Re-marketing Classics (Or the Failure of Pop Culture)

My transmedia storytelling course is reading an amazing book by Michael Saler, called “As If: Modern Enchantment and the Literary PreHistory of Virtual Reality“. In a nutshell, Saler talks about how modernity rationalized our world, causing us to be disenchanted, and how we are doing our best to be enchanted again. I use his work to launch discussions on marketing and advertising – or in general strategic communication. All our work is based on creating enchantment actually. We are, for instance, creating a world where a body wash creates amazing men (Yes, Old Spice). I am not going through the shelves in my local Target trying to find the cheapest deal (Yes, this is exactly what I was doing when I saw the buy one get two free deal for Old Spice). I am consuming to be a part of this magical experience.

Saler presents literary cases: Arthur Donan Doyle, H.P. Lovecraft, and J.R.R. Tolkien. He discusses how these authors crafted their stories to enchant the masses, how people took the worlds they created and repurposed them in several other platforms. For me, he also presents a horrific case of the gap between us – faculty members – and students.

With my apologies, I’d like to welcome you to my rant on millenials and future of strategic communication.

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Who Cites Whom in Place Branding?

In my quest to blog regularly for the Place Brand Observer, I published my fourth post where I pose a structural question within the field of place branding. Who do we cite? Which are some of the more important works? Are there any groupings based on co-citation similarities?

For this purpose, I went to the Web of Science database and downloaded bibliographic information on all articles that had “place branding”, “city branding”, “country branding” or “nation branding” as their topic.

If you are interested in learning more, you can read the full blog post on the Place Brand Observer.

Bibliographic-Coupling-Analysis-in-Place-Branding