May 30, 2010 Leave a comment
First of all, congratulations to Germany and Lena for winning Eurovision 2010. I already started to get excited for Eurovision 2011 in Germany. As I said in an earlier post, Eurovision presents a snapshot of European politics in less than three hours. The songs started to get more ‘global’, there are more songs in English and less local instruments. But still, it is possible to see how Eurovision can be a public diplomacy project, how it can get people together – or not. This is why I decided to write about my ideas, especially about Turkey, Greece, and Armenia in Eurovision. I am still amazed by how these nations can be culturally so similar and have so many political problems at the same time.
Let me organize my arguments in three categories: lyrics, similarities in music/culture, and voting politics. Armenia’s song was called ‘Apricot Stone’. Given the political context of Eurovision, Turkey claimed that “the song hinted at 1915 events”. Turco-Armenian relations are already bad enough, we definitely do not need a song, or misinterpretation of a song to aggravate the situation. As the song was mentioning Armenian motherland, many Turks were confused about its intentions. Even the Turkish commentator suggested that Eva should drop her apricots stones in her country, not in someone else’s. Eva’s manager try to explain the main idea beyond the lyrics, but I frankly don’t think he is a credible source for Turkish people.
Manga’s song was ‘We could be the same’. (By the way, also congratulations to Manga – they became 2nd). Their lyrics were also worth mentioning: ‘I can see that this could be fate/I can love you more than they hate/Doesn’t matter who they will blame/We can beat them at their own game’. I am glad that I am not the only one who thought these words had to do something with Turkey – EU relations. I mean, come on! We entered the contest with another rock(ish) band! Manga, as well, claimed that their lyrics did not have political aims – then again, it is very difficult to believe them, given the setting in their official video clip.
When I first listened to Greece’s song, it sounded so familiar. I mean, Turkey pretty much has same instruments but there was something more. Then I remembered, we had a very similar song in 1977 (I am no music expert, but if a rhythm reminded me of a 1977 song, there should be a similarity.). Living under the same authority for centuries and still living in the same region, it is not surprising to find similarities between songs.
I also learned about the importance of apricots for Armenians! Shocking story, apricots are pretty important for Turks, too. We are the leading producer (and I do have an apricot tree in my backyard). I was amazed by the beautiful duduk melodies by Gasparyan – I listened to that part over and over again. And yet another shocking story, we have the same instrument. Gasparyan had (maybe still has) quite a large audience in Turkey, especially after his joint work with Erkan Ogur in 2001.
Voting is the most political part of Eurovision. Turkey gave 12 points to Azerbaijan (one nation, two states), Greece to Cyprus, Cyprus back to Greece (I am sure it was particularly difficult this year for Greece to give 12 points to Cyprus), Armenia to Georgia. No points came to Turkey from Armenia, Greece, or Cyprus.
To summarize my thoughts, we can react to these similarities and differences in two different ways. Firstly, we can take the voting road. We can claim how Greeks steals Turkish rhythms, how Turks portray a fabricated image, how Armenia blames Turkey, etc. etc. We can use Eurovision as a platform to continue nationalist struggles and blame each other for stealing our own symbols.
Or, we can just realized that all these symbols, rhythms, instruments belong to all of us, living in the same region. At least, I hope we will realize this fact. Let’s see what happens in the 56th Eurovision Song Content next year in Germany.
PS: Seriously, Greece – 12 points to that song? Come on!